Ryan was a cop in Galway before being fired for being on the take. When he lost his job, his wife left him for another man, taking their daughter with them. Having no reason to stay in Ireland and a head full of memories urging him to go, Ryan headed for New York City, where he works building skyscrapers, fearlessly walking the girders as they build the highest floors.
Once in New York he meets Merrick, another former cop turned private investigator and bar owner. Merrick quickly recognizes the cop in Ryan, and the two become friends. Soon Merrick begins to confide in Ryan. His former partner, it turns out, is in a coma: they’d been working on a case involving a man who did unspeakable things to young boys before killing them. Merrick thinks he’s got some leads, if Ryan would be interested in helping out?
The relationship between Ryan and Merrick is a rocky one—both have explosive tempers and a chip on their shoulder, but generally speaking it’s nothing that can’t be overcome by an apology and a bottle of Jameson. The development of the friendship between the men is the heart of the novel, and it’s solid, enough so to allow for future books and a series.
As with Bruen’s other books, this one is full of pop-culture references, mostly movies and music but some books, that Ryan uses to define himself. When I finish one of Bruen’s books, I almost always have a list of names to look for, and this is no different (I’ll be checking out a couple of new bands this evening).
Merrick is a thriller in stream-of-consciousness, almost free-form verse. It’s a quick read, and a good one.
This copy was furnished by the publisher via Edelweiss in exchange for an honest review.
My rating: 4 of 5 stars