Blurb: Tumba, Sweden. A triple homicide, all of the victims from the same family, captivates Detective Inspector Joona Linna, who demands to investigate the grisly murders—against the wishes of the national police. The killer is at large, and it appears that the elder sister of the family escaped the carnage; it seems only a matter of time until she, too, is murdered. But where can Linna begin? The only surviving witness is an intended victim—the boy whose mother, father, and little sister were killed before his eyes. Whoever committed the crimes intended for this boy to die: he has suffered more than one hundred knife wounds and lapsed into a state of shock. He’s in no condition to be questioned. Desperate for information, Linna sees one mode of recourse: hypnotism. He enlists Dr. Erik Maria Bark to mesmerize the boy, hoping to discover the killer through his eyes. It’s the sort of work that Bark had sworn he would never do again—ethically dubious and psychically scarring. When he breaks his promise and hypnotizes the victim, a long and terrifying chain of events begins to unfurl.
This is a monster of a book, and I mean that in the best way possible. The plot seems simple: the discovery of a man’s body leads police to his home, where his family has also been murdered, but somehow the son, Jack, has survived—barely. Hoping to find the boy’s missing sister—is she a suspect? is she another target?—Detective Inspector Joona Linna calls in Dr. Erik Maria Bark (and yes, there’s a “Boy Named Sue” joke in there) to help get information about the brutal attacks. And that’s where things get interesting. The last time Bark used hypnosis on a patient, the results were tragic and he was disgraced, both personally and professionally. In helping Linna, Bark breaks a promise, and the consequences are horrific and extend well beyond what anyone could have anticipated.
As with many Nordic crime novels, this one has multiple interwoven plot lines, and it’s not clear until the very end exactly how they fit together—or if they’ll fit together. This is a book where the subplots add depth and suspense to the main plot rather than detracting from it. What seems to be a relatively simple crime with a known perpetrator having complex motive turns out to be a series of crimes with equally complex motives, and no clear suspect. It kept me guessing right up until the end. The ending in particular was satisfying; in a book as dark as this one, that delves into the worst parts of the human psyche, sometimes it’s nice to have a bit of light at the end.
Although this is the first book in the Joona Linna series, as the title suggests, the central character is Bark, the titular hypnotist. I’m curious to read the next books to see how Linna’s character develops as the series progresses.
As an aside: “Lars Kepler,” actually a husband-and-wife writing team, was another of the new Swedish authors to be hyped as “the next Stieg Larsson.” I am hoping this need to compare everything to the one Swedish author most Americans have ever heard of will stop, and soon; I also enjoyed Larsson’s books, but the more Nordic crime fiction I read, the more tempted I am to go back and lower my ratings of the Larsson books. Just because they were my (and many other readers’) introduction to Nordic crime fiction doesn’t mean they’re the best examples or even that they’re representative of the genre.
My rating: 4 of 5 stars